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How do you analyze a novel? When you set out to analyze a novel, you have a mighty task ahead of you. This is not a short story, poem, or essay. Rather, it is a lengthy work of fiction, designed to create any number of emotions in you. While most of them are inspiring, the thought of having to analyze a novel is possibly terrifying because of the size of most novels. However, the beauty behind novel analysis is that there are so many things you can do. Most novels have numerous serious themes spread throughout, and many more sub-plots (sub-themes). The most important thing to remember in analyzing a novel is that --- like other analyses --- there is not usually a right or wrong answer. There is only an analysis that is supported with factual details and evidence from the text. Everything you will need to analyze the novel will come from the novel itself. You can always research farther; however, you can analyze a novel without going outside the ends of the book.
Follow these simple guidelines to aid in your novel analysis: 1. Read the novel closely: A close reading of a novel is different than a quick skim. If you have time, it would behoove you to read the novel at least twice. However, as a student, you probably do not have sufficient time. So, pick up the novel, a pen, and read it while making marks in the margins. Underline lines that stand out at you. These will be your best friends while analyzing it in the future. Nothing is worse than having to look back at a novel of hundreds of pages without having a clue as to where to find that specific line you remember. If you marked it during your first read through, you will be able to find specific lines much easier later on. 2. Make an appointment to speak with your instructor: While analyzing a poem or story, you have people to discuss ideas with, as they will be dealing with many of the same issues. It is helpful to share thoughts. However, when analyzing a novel, you will probably not be writing or analyzing the same thing as the rest of your peers. Your instructors will be great sources of inspiration and help. You may get stuck on a certain idea, theme, or problem; they are trained to help teach you analytical skills. After reading the novel and thinking about ideas for analysis, discuss them with an instructor. Your instructor will then sway you in a specific direction and help you organize your thoughts. 3. Select a specific topic: Once you have read the novel, discussed it with a instructor, you are ready to begin the analysis. You have already begun unofficially by thinking about it. Now, with the numerous issues addressed in the novel, you have your easy pick, and can focus on one specific theme to analyze in the book. A problem many clients encounter in this portion is that they try to analyze too many parts of the book or too many themes. You must pick one theme (and show it in several characters) or select one character and analyze him or her. It is imperative to stay on target and not veer from you thesis (your central topic). 4. Find evidence: Once you have decided upon a topic to analyze in the novel, you must now go through the book and find examples of how to prove your thesis (argument). If you had not previously taken notes or wrote in the book, then you will have to go page by page to find specific examples to use in your analysis. This step can be fairly time-consuming. However, without this step, you have absolutely no analysis. You must have evidence in order to analyze a novel. 5. Write an outline: Like any analysis, essay, or research paper, an outline is vital. It is the skeleton of your analysis, the scaffolding that holds your ideas together. It is your organizational crutch. Your outline for the novel analysis should begin with an introduction (including a thesis statement), followed by three examples of the theme in your novel, and a conclusion bringing all the examples of the themes together. This conclusion will be significant in an analysis, for you will be putting together what you have just explained into a greater context. The conclusion is the ultimate analysis of the novel and should leave the audience/readership understanding the novel in a new light. 6. Write the paper: Now that you have all your themes and ideas written down in a nice outline, you are ready to write your analysis. While it initially seemed like a daunting task, because you have done all the work already, you can now simply place all the work together into a nice organized and complete analysis. If your novel analysis is meant to be an oral presentation, follow the same steps. You will still need an outline, as presentations are no different than written papers in content. The only difference is presentation. Your outline will serve as your notes. It will be your guide as you speak to your instructor and class.
Reading literature (novels and plays, for example) requires a different approach than reading a textbook. In literature, the meaning isn't often stated directly, but is implied. You have to get a sense on your own of what the work means, instead of having the author explicitly saying, "This is idea 1, and this is idea 2." Good writers do create stories that are organized and comprehensible. For example, a story usually follows some organization, whether it's told chronologically, in flashbacks, from different perspectives, and so on. Also, writers provide many clues to the meaning or main ideas they want you to get from the work. In particular, the following points are important to consider when reading and analyzing literature: 1) Characters: Who are the main characters in the piece? What are the names and roles of the main characters? Who is the narrator, the person telling the story? Does this person have a bias? That is, can you trust what he or she is saying? 2) Events and interaction: What happens in the story? How do the characters interact? How are they related or connected? Why do the characters act or behave the way they do? Why do the events play out as they do? 3) Setting: Where does the piece take place? Is the setting critical to the story? Does the setting provide background? Does the setting give historical, physical, or other information that is key to the story? 4) Time: When does the story take place? Is it timeless, or is it grounded in a particular place and time? 5) Organization: How is the story organized? Most commonly, stories are told chronologically, but in some works, you may find that the author moves back and forth (in time as well as place). 6) Writing style: What does the writing style tell you about the story? Is the writing richly detailed? Is it sparse? (For example, Hemingway was famous for his Spartan writing style.) How does the writing style affect the meaning? Do you have to make assumptions or guesses because there are gaps? 7) Symbolism: Symbolism can be tricky because, sometimes, as the saying goes: "A cigar is just a cigar." Other time, a journey represents something beyond the trip itself. For example, Huck Finn's trip was more about his development as a person than his trip down the river. 8) Theme: What are the themes of the story? What elements or ideas are repeated or emphasized? Think about this throughout your reading, not just at the end. Notice what people, places, and events pop up over and over again. 9) Retelling of a story: Many stories are in some way or form a retelling of a previous story. If you think about Huckleberry Finn's trip, you can find other trips from Greek mythology (Homer's Odyssey) to the Bible (the trip of the Magi) with similarities.
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